cccopy.cc

trip — Tue, 21 Feb 2012 01:23:42 +0000

The LFG series is a low cost high quality monochrome and composite/S-Video frame grabber. Available for several operating systems and also provided with royalty free optimised JPEG and wavelet codecs.

trip — Tue, 21 Feb 2012 01:07:46 +0000

http://cuppetellimendoza.com/files/cuppetelli-mendoza.zip

trip — Tue, 21 Feb 2012 00:53:02 +0000

http://vimeo.com/35508462…

trip — Tue, 21 Feb 2012 00:46:42 +0000

http://vimeo.com/35508462

trip — Mon, 20 Feb 2012 23:55:30 +0000

Multi channel video capture

trip — Mon, 20 Feb 2012 23:42:56 +0000

Mango DSP – Raven-M

trip — Mon, 20 Feb 2012 23:34:09 +0000

video capture os x

trip — Mon, 20 Feb 2012 21:21:29 +0000

AIN	2220	1	12617	3	3	Timebased Media1:Video Art	M		W		1145	1430	3125	MAIN	12	8/29/12	12/18/12	Natasha Beste
AIN	3220	1	13871	3	3	Intro:Intractivty:Grphc Arts	M		W		1500	1745	3125	MAIN	12	8/29/12	12/18/12
AIN	4230	1	15392	3	3	TimeBasedMedia3:Exptl 3D Anmtn		T		R	1815	2100	3125	MAIN	12	8/29/12	12/18/12
AIN	6830	1	14625	2	6	Spec Topics: Digital Arts		T		R	1500	1745	3125	MAIN	12	8/29/12	12/18/12

trip — Mon, 20 Feb 2012 20:15:33 +0000

Retransfer: If Purchaser (or representative of his/her estate) in any way whatsoever sells, gives, or trades the Work, or if it is inherited from Purchaser, or if a third party pays compensation for its destruction, Purchaser (or representative of his/her estate) must notify the Artist of all conditions of said action(s) and provide the Artist with complete information relating to the new owner, if applicable.

trip — Mon, 20 Feb 2012 20:15:30 +0000

trip — Mon, 20 Feb 2012 19:02:10 +0000

# Host Database

# localhost is used to configure the loopback interface

# when the system is booting. Do not change this entry.

127.0.0.1 localhost

255.255.255.255 broadcasthost

::1 localhost

fe80::1%lo0 localhost

trip — Mon, 20 Feb 2012 19:00:23 +0000

sudo /Applications/TextEdit.app/Contents/MacOS/TextEdit /etc/hosts

trip — Mon, 20 Feb 2012 18:52:59 +0000

cpBodyNew(from.mass, cpMomentForCircle(from.mass, 0.0f, 1, cpvzero));

trip — Mon, 20 Feb 2012 18:40:30 +0000

lastConstraint

trip — Mon, 20 Feb 2012 18:39:44 +0000

cpConstraint *constraint;

http://waltermoise.hewnstudio.com/…

trip — Mon, 20 Feb 2012 16:27:26 +0000

http://waltermoise.hewnstudio.com/

http://www.nytimes.com/2012/02/19/arts/music/the-indie-band-sleigh-bells-new-album-reign-of-terror.html…

trip — Mon, 20 Feb 2012 15:58:50 +0000

http://www.nytimes.com/2012/02/19/arts/music/the-indie-band-sleigh-bells-new-album-reign-of-terror.html

http://www.facebook.com/pages/Daniel-Arsham/193513417916?sk=wall…

trip — Sun, 19 Feb 2012 09:24:10 +0000

http://www.facebook.com/pages/Daniel-Arsham/193513417916?sk=wall

http://www.architizer.com/en_us/blog/dyn/39192/feline-modernism/…

trip — Sun, 19 Feb 2012 09:06:44 +0000

http://www.architizer.com/en_us/blog/dyn/39192/feline-modernism/

http://www.architizer.com/en_us/blog/dyn/39180/bloom-skin-issey-miyakes-dancing-window-display/…

trip — Sun, 19 Feb 2012 08:06:41 +0000

http://www.architizer.com/en_us/blog/dyn/39180/bloom-skin-issey-miyakes-dancing-window-display/

http://www.architizer.com/en_us/blog/dyn/39192/feline-modernism/…

trip — Sun, 19 Feb 2012 08:05:01 +0000

http://www.architizer.com/en_us/blog/dyn/39192/feline-modernism/

http://www.404festival.com/eng/opencall.htm…

trip — Sat, 18 Feb 2012 23:06:54 +0000

http://www.404festival.com/eng/opencall.htm

trip — Sat, 18 Feb 2012 23:06:26 +0000

404 International Festival of Art & Technology

trip — Sat, 18 Feb 2012 23:05:43 +0000

28th February 2012.

http://www.liveleak.com/view?i=1b5_1328919397…

trip — Fri, 17 Feb 2012 17:36:32 +0000

http://www.liveleak.com/view?i=1b5_1328919397

http://ums.org/s_current_season/artist.asp?pageid=680…

trip — Fri, 17 Feb 2012 17:09:40 +0000

http://ums.org/s_current_season/artist.asp?pageid=680

trip — Fri, 17 Feb 2012 14:49:40 +0000

mviana01

trip — Fri, 17 Feb 2012 14:49:29 +0000

mviana01

trip — Fri, 17 Feb 2012 13:53:50 +0000

Sonia Gutierrez-Steckler

trip — Fri, 17 Feb 2012 10:59:01 +0000

Bon Scott Arte Bar

https://developer.apple.com/library/prerelease/mac/navigation/…

trip — Fri, 17 Feb 2012 10:51:36 +0000

https://developer.apple.com/library/prerelease/mac/navigation/

trip — Fri, 17 Feb 2012 10:46:30 +0000

. Technical tuition supplemented by readings, critiques, discussions and screenings featuring various mainstream and experimental examples of 3D animation

trip — Fri, 17 Feb 2012 10:46:20 +0000

. Technical tuition supplemented by readings, critiques, discussions and screenings featuring various mainstream and experimental examples of 3D animation

http://www.openprocessing.org/visuals/?visualID=9453…

trip — Fri, 17 Feb 2012 09:37:18 +0000

http://www.openprocessing.org/visuals/?visualID=9453

trip — Thu, 16 Feb 2012 22:33:27 +0000

Interaction Area

trip — Thu, 16 Feb 2012 22:32:06 +0000

Nervous Structure (field)

trip — Thu, 16 Feb 2012 22:29:57 +0000

1. Hardware

a. Projector(s)

i. Short-throw lens (0.5:1 throw ratio or better)
ii. XGA or better (WXGA+ preferred)
iii. 2500 lumens or better
iv. PJ-Link enabled preferred

b. Projector Mounts

c. Computer

i. Single projector setup: Mac mini w/ discrete graphics card (no Intel integrated graphics)
ii. Multi-projector setup: Mac Pro

d. Security camera(s) (to be determined for each site)

i. IR Lights may be required depending on camera choice

e. Video capture device

i. Single projector setup: DV Digitizer
ii. Multi-projector setup: TBD

f. Cabling

i. VGA or HDMI from computer to projector(s)
ii. RCA from cameras to computer
iii. Power to cameras
iv. Power to projectors
v. Power to computer
2. Dimensions

a. The dimensions stipulated in the diagrams are not to be taken as a rule. These are measurements that we are sure would work.

b. The scale of the piece can be adapted to suit a space, with some limits:

i. Max width for a single projector is 4 m.
ii. Max height is ~3 m.
3. Interaction Area

a. Should be at least as large as stipulated. If the interaction area cannot be made as deep as required, the size of the structure may have to be reduced in width and height.

4. About Multiple Projectors

a. The work can accommodate between 1 and 3 projectors (as of this writing).

b. Adding multiple projectors will require a more powerful computer (Mac Pro, multichannel video capture), as well as additional sensing hardware (2-3 cameras).

c. Max width per projector is 4 m.

trip — Thu, 16 Feb 2012 22:22:07 +0000

Multi-projector setup:

trip — Thu, 16 Feb 2012 22:22:06 +0000

Multi-projector setup:

trip — Thu, 16 Feb 2012 22:21:42 +0000

Single projector setup:

trip — Thu, 16 Feb 2012 21:39:57 +0000

Multiple Projector

trip — Thu, 16 Feb 2012 21:39:21 +0000

Single Projector

trip — Thu, 16 Feb 2012 21:38:52 +0000

Prototipo

trip — Thu, 16 Feb 2012 21:20:48 +0000

Museum of Art and History

http://cccopy.cc/wp-content/uploads/2012/02/image2.jpg

trip — Thu, 16 Feb 2012 20:28:39 +0000

http://vimeo.com/35508462…

trip — Thu, 16 Feb 2012 20:17:30 +0000

http://vimeo.com/35508462

trip — Thu, 16 Feb 2012 20:16:21 +0000

Our current interests lie in the creation of installations that investigate ideas of phenomenology and perception, focused through the exploration of the relationships between the physical and the virtual. Aesthetically and conceptually our work borrows from the “Light and Space” movement of the 1960’s, as well as from Kinetic Art (and specifically Venezuelan Constructivism), which we attempt to fuse with ideas and materials borne out of digital technologies. Thus, our physical structures are usually combined with software processes to create interactive and immersive installations that challenge perception and (physically) engage viewers.

trip — Thu, 16 Feb 2012 20:16:16 +0000

Our current interests lie in the creation of installations that investigate ideas of phenomenology and perception, focused through the exploration of the relationships between the physical and the virtual. Aesthetically and conceptually our work borrows from the “Light and Space” movement of the 1960’s, as well as from Kinetic Art (and specifically Venezuelan Constructivism), which we attempt to fuse with ideas and materials borne out of digital technologies. Thus, our physical structures are usually combined with software processes to create interactive and immersive installations that challenge perception and (physically) engage viewers.

trip — Thu, 16 Feb 2012 20:14:45 +0000

Nervous Structure (field)

trip — Thu, 16 Feb 2012 19:56:58 +0000

Our work is also about the intersection of our particular disciplines’ languages (Cuppetelli in Fibers, Mendoza in New Media); patterning, repetition and interaction are issues that are highly relevant in both of these realms. The results of our collaboration begin with the commonalities we have discovered in our specialties, but develop through the hybrid vocabulary engendered by that dialog.